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    <loc>https://www.performfellowship.org/workshops</loc>
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    <lastmod>2024-09-26</lastmod>
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    <loc>https://www.performfellowship.org/workshops/rola</loc>
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    <lastmod>2024-09-26</lastmod>
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      <image:title>Open Academy 2023 Workshops - Rola Khayyat—Reading Photographs</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1696844649257-F3O4ZSEOY21HK0LG0U05/WS+2+Rola+4+2C8A3260.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Rola Khayyat—Reading Photographs</image:title>
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      <image:title>Open Academy 2023 Workshops - Rola Khayyat—Reading Photographs</image:title>
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      <image:title>Open Academy 2023 Workshops - Rola Khayyat—Reading Photographs</image:title>
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  <url>
    <loc>https://www.performfellowship.org/workshops/nirlyn-seijas</loc>
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    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
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      <image:title>Open Academy 2023 Workshops - Nirlyn Seijas—The Latinas Grandmas Oracle: Artivist strategies from art history</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1696927279670-QFZX9FHYDOC6JJB7F751/2C5A2080.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Nirlyn Seijas—The Latinas Grandmas Oracle: Artivist strategies from art history</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1696907058797-PNPFOLD8WQJ2H6O0H9NL/2C5A2072.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Nirlyn Seijas—The Latinas Grandmas Oracle: Artivist strategies from art history</image:title>
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  <url>
    <loc>https://www.performfellowship.org/workshops/tarahelia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
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      <image:title>Open Academy 2023 Workshops - Tara Fatehi and Helia Hamedani—‘Then she stood on the table and …’: A Collective (Mis)Remembering - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1694945073993-H3L0Y3SPCA559FU0H7PA/20230414_221015.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Tara Fatehi and Helia Hamedani—‘Then she stood on the table and …’: A Collective (Mis)Remembering</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1694945076701-7WVU1HQ5CHURW3XRWU4X/2C8A2524.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Tara Fatehi and Helia Hamedani—‘Then she stood on the table and …’: A Collective (Mis)Remembering</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1694945086456-273QKNQ64X57V7NO20SY/2C5A2032.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Tara Fatehi and Helia Hamedani—‘Then she stood on the table and …’: A Collective (Mis)Remembering</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1694945090984-2C4JG5QPA2BGILS9FKNJ/20230414_194433.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Tara Fatehi and Helia Hamedani—‘Then she stood on the table and …’: A Collective (Mis)Remembering</image:title>
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  </url>
  <url>
    <loc>https://www.performfellowship.org/workshops/giuliana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/61274e63-39ce-431a-82c0-e8f1c8c7bf7c/%C2%A9+Alice+Kahei+%282021%29</image:loc>
      <image:title>Open Academy 2023 Workshops - Giuliana Kiersz—Writing Gathering - Make it stand out</image:title>
      <image:caption>Image by Alice Kahei</image:caption>
    </image:image>
    <image:image>
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      <image:title>Open Academy 2023 Workshops - Giuliana Kiersz—Writing Gathering</image:title>
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    <image:image>
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      <image:title>Open Academy 2023 Workshops - Giuliana Kiersz—Writing Gathering</image:title>
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    <image:image>
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      <image:title>Open Academy 2023 Workshops - Giuliana Kiersz—Writing Gathering</image:title>
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  <url>
    <loc>https://www.performfellowship.org/workshops/keren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/5d0c85a1-c8da-4925-98ec-54dc3b7c0888/Activating+%5BArchived%5D+Knowledge+Kokoba%2C+a+study+session+%280%29-1.png</image:loc>
      <image:title>Open Academy 2023 Workshops - Keren Lasme—Activating [Archived] Knowledge: Kokoba, a study session - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1696907789033-Z0XWY6NL78KKLYD7M0VO/WS%25252B3%25252BKeren%25252B3%25252B2C8A3320.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Keren Lasme—Activating [Archived] Knowledge: Kokoba, a study session</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1696907486188-CPT2Y90Y796AC8MFHVHX/WS+3+Keren+1+2C5A2814.jpg</image:loc>
      <image:title>Open Academy 2023 Workshops - Keren Lasme—Activating [Archived] Knowledge: Kokoba, a study session</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-18</lastmod>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/living-soil-series-living-earth-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-10</lastmod>
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      <image:title>CoThinkLab - Collections - Living Soil Series — Living Earth Festival</image:title>
      <image:caption>Living Soil Asia, part of the Foodscape Collective ecosystem, champions a balanced ecosystem built on equity, care, and regenerative practices. Their mission is to broaden knowledge and accessibility of regenerative methods in Singapore, emphasising a community-oriented, care-based approach. They merge ancient wisdom with modern technology to regenerate soil and reconnect people with the land, advocating for soil's crucial role in climate change, food security, and sustainability discussions. This organisation stands as a beacon for environmental stewardship and community-driven sustainability, committed to nurturing each person's unique contributions to a healthier planet and fostering a culture of care and personal engagement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/livingsoilseries-deeptimewalk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1761644818618-3HJP9TOEJ5RESNBF06RF/6336978814096837638.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Deep Time Walk - Santosh Kumar</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1758510589433-E62R6HW164498IZ6K55L/VivianProfileLSA.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Deep Time Walk - Vivian Lee</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1f6ba3f2-5cae-4eee-82ce-1398ffffa0eb/lviingsoilasiablue.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Deep Time Walk</image:title>
      <image:caption>Living Soil Asia, part of the Foodscape Collective ecosystem, champions a balanced ecosystem built on equity, care, and regenerative practices. Their mission is to broaden knowledge and accessibility of regenerative methods in Singapore, emphasising a community-oriented, care-based approach. They merge ancient wisdom with modern technology to regenerate soil and reconnect people with the land, advocating for soil's crucial role in climate change, food security, and sustainability discussions. This organisation stands as a beacon for environmental stewardship and community-driven sustainability, committed to nurturing each person's unique contributions to a healthier planet and fostering a culture of care and personal engagement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/livingsoilseries-warmdatalab</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1758510589433-E62R6HW164498IZ6K55L/VivianProfileLSA.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Warm Data Lab - Vivian Lee</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1f6ba3f2-5cae-4eee-82ce-1398ffffa0eb/lviingsoilasiablue.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Warm Data Lab</image:title>
      <image:caption>Living Soil Asia, part of the Foodscape Collective ecosystem, champions a balanced ecosystem built on equity, care, and regenerative practices. Their mission is to broaden knowledge and accessibility of regenerative methods in Singapore, emphasising a community-oriented, care-based approach. They merge ancient wisdom with modern technology to regenerate soil and reconnect people with the land, advocating for soil's crucial role in climate change, food security, and sustainability discussions. This organisation stands as a beacon for environmental stewardship and community-driven sustainability, committed to nurturing each person's unique contributions to a healthier planet and fostering a culture of care and personal engagement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/livingsoilseries-social-performance-theatre-kmbnc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1754643616931-APRVYJLGUOMAAER4S77N/Lee+Zhong+Han.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Exploring Systems and Futures Part I &amp;amp; Part II - Lee Zhong Han</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1f6ba3f2-5cae-4eee-82ce-1398ffffa0eb/lviingsoilasiablue.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Exploring Systems and Futures Part I &amp;amp; Part II</image:title>
      <image:caption>Living Soil Asia, part of the Foodscape Collective ecosystem, champions a balanced ecosystem built on equity, care, and regenerative practices. Their mission is to broaden knowledge and accessibility of regenerative methods in Singapore, emphasising a community-oriented, care-based approach. They merge ancient wisdom with modern technology to regenerate soil and reconnect people with the land, advocating for soil's crucial role in climate change, food security, and sustainability discussions. This organisation stands as a beacon for environmental stewardship and community-driven sustainability, committed to nurturing each person's unique contributions to a healthier planet and fostering a culture of care and personal engagement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/livingsoilseries-social-performance-theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1742895362125-OFFK9SFM1D3HUIJFJX8C/GUIlogosq.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Exploring the Future of Ground-Up Initiative Through Social Presencing Theatre - Ground-Up Initiative</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1f6ba3f2-5cae-4eee-82ce-1398ffffa0eb/lviingsoilasiablue.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series — Exploring the Future of Ground-Up Initiative Through Social Presencing Theatre</image:title>
      <image:caption>Living Soil Asia, part of the Foodscape Collective ecosystem, champions a balanced ecosystem built on equity, care, and regenerative practices. Their mission is to broaden knowledge and accessibility of regenerative methods in Singapore, emphasising a community-oriented, care-based approach. They merge ancient wisdom with modern technology to regenerate soil and reconnect people with the land, advocating for soil's crucial role in climate change, food security, and sustainability discussions. This organisation stands as a beacon for environmental stewardship and community-driven sustainability, committed to nurturing each person's unique contributions to a healthier planet and fostering a culture of care and personal engagement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/livingsoildoublebill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1742895185953-SNUESH12N6EPKDFZVA4O/Carin+Leong.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series —&amp;nbsp;A Film Double Bill: Sandcastles and Moving Earth - Carin Leong</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1742895181159-GD99OA8Y09GFIOJ0OLB9/Ian+Mun+Profile+Image+LR_3.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series —&amp;nbsp;A Film Double Bill: Sandcastles and Moving Earth - Ian Mun</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1742895362125-OFFK9SFM1D3HUIJFJX8C/GUIlogosq.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series —&amp;nbsp;A Film Double Bill: Sandcastles and Moving Earth - Ground-Up Initiative</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1f6ba3f2-5cae-4eee-82ce-1398ffffa0eb/lviingsoilasiablue.png</image:loc>
      <image:title>CoThinkLab - Collections - Living Soil Series —&amp;nbsp;A Film Double Bill: Sandcastles and Moving Earth</image:title>
      <image:caption>Living Soil Asia, part of the Foodscape Collective ecosystem, champions a balanced ecosystem built on equity, care, and regenerative practices. Their mission is to broaden knowledge and accessibility of regenerative methods in Singapore, emphasising a community-oriented, care-based approach. They merge ancient wisdom with modern technology to regenerate soil and reconnect people with the land, advocating for soil's crucial role in climate change, food security, and sustainability discussions. This organisation stands as a beacon for environmental stewardship and community-driven sustainability, committed to nurturing each person's unique contributions to a healthier planet and fostering a culture of care and personal engagement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/5g-hotspot-55e3e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1742562284697-RTJSXWHZ82WTG8ISCFN5/Watson_Sahana_Ghosh-scaled-e1630232515347.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Conversation Between Sahana Ghosh and Sorawit Songsataya - Sahana Ghosh</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1742562286313-68X3JJ81SOSOJK1O3D0P/sorawit.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Conversation Between Sahana Ghosh and Sorawit Songsataya - Sorawit Songsataya</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/e9d08734-da5d-498a-9ae0-ff64139d7878/Wong+Bing+Hao+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Conversation Between Sahana Ghosh and Sorawit Songsataya</image:title>
      <image:caption>Binghao (Bing) (they/them) approaches art essayistically, as eclectic constellations of practice, research, and lived experience. They apply this modality to create essays and discursive projects including publications, digital, public, research, and educational programs, performance and live events, creative direction, and international exchange and residency programs. They are invested in developing rigorous and original research around contemporary art practices, specifically in relation to transfeminist approaches to gender, sex, love, popular cultures, new media and technology, anthropology, and area studies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/5g-hotspot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/e9d08734-da5d-498a-9ae0-ff64139d7878/Wong+Bing+Hao+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - 5G Hotspot</image:title>
      <image:caption>Binghao (Bing) (they/them) approaches art essayistically, as eclectic constellations of practice, research, and lived experience. They apply this modality to create essays and discursive projects including publications, digital, public, research, and educational programs, performance and live events, creative direction, and international exchange and residency programs. They are invested in developing rigorous and original research around contemporary art practices, specifically in relation to transfeminist approaches to gender, sex, love, popular cultures, new media and technology, anthropology, and area studies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/fathers-womb-bny3l-d25rl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/9bfa161b-a8cc-40e1-885d-430a6d5964d8/Bussy+Temple+Blue+uncropped.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Open Conversations: On Future Hopes for Queer Community &amp;amp; Accountability</image:title>
      <image:caption>A collective of creatives organising raves centred around queer, trans, nonbinary and femme individuals, Bussy Temple organically formed through the shared frustration over the lack of non-cis-men queer spaces in Singapore. Their parties serve as a social and political tool to activate the queer imagination and transformative potentials of gender and identity, as well as create safe spaces for the queer community to let go, glitch, and expand our ways of being. From left to right, top to bottom: Nydia Shiang, Zenon, Minsoo Bae, Bruce Lim, Aki Hassan, Jo Ho</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/fathers-womb-bny3l</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1729571437065-EIQU73HOIWIGLYG0V4HC/SINEW-55.JPG</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1729571438190-0F4VQJ1GNEP4A5UNOPED/SINEW-123.JPG</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1729571441564-IRZUEQOQEFJPFSTG6M59/SINEW-151.JPG</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1729571443104-O7FD60V526THMSDLQI7A/SINEW-64.JPG</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1729571651208-HVBGQ76OPNE5QJOXHV72/SINEW-17.JPG</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1729571432096-JE7ZIKKLT7NTF1Q708Y7/SINEW-12.JPG</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/9bfa161b-a8cc-40e1-885d-430a6d5964d8/Bussy+Temple+Blue+uncropped.jpg</image:loc>
      <image:title>CoThinkLab - Collections - SINEW</image:title>
      <image:caption>A collective of creatives organising raves centred around queer, trans, nonbinary and femme individuals, Bussy Temple organically formed through the shared frustration over the lack of non-cis-men queer spaces in Singapore. Their parties serve as a social and political tool to activate the queer imagination and transformative potentials of gender and identity, as well as create safe spaces for the queer community to let go, glitch, and expand our ways of being. From left to right, top to bottom: Nydia Shiang, Zenon, Minsoo Bae, Bruce Lim, Aki Hassan, Jo Ho</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/openslovespiritandsoutheastasiannatures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1716287702073-XI7ORHO7RLC349NBLR9K/A5878DE8-5F6D-41B5-AD9F-DBCEE15DE31F.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Love, Spirit &amp;amp; Southeast Asian Natures - Faizah Zakaria</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/f48bd664-e49e-400a-b42f-0c41d0c88d2a/Openslogo1.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Love, Spirit &amp;amp; Southeast Asian Natures</image:title>
      <image:caption>Opens is a para-academic forum based in Singapore. Against the authoritarian-technocapitalist enclosure of the physical and discursive spaces of our island-city-state, they experiment with modes of discourse-making, space-making, and conceptual research &amp; development intended to catalyse speculative incursions into other possible futures. Opens consists of an informal network of co-conspirators. The administrative and organising labour is currently performed by founding co-organisers Helios Singh Bajwa and Arunditha Emmanuel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/fathers-womb-tt928</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/e9c30664-3a00-414c-9cad-a8bd4f640ad1/IMG_6628.JPG</image:loc>
      <image:title>CoThinkLab - Collections - Critical Spirituality Series - Ecstatic Initiations: Sound Through Shamanism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708482618094-E0APHPSCP20IFPQ7OYCS/Headshot+-+Arunditha+%281%29.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Critical Spirituality Series - Ecstatic Initiations: Sound Through Shamanism - Arunditha Emmanuel</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708482633693-0AZS8VO30KL05RAR0E2L/Headshot+-+Anise+%281%29.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Critical Spirituality Series - Ecstatic Initiations: Sound Through Shamanism - Anise</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/f48bd664-e49e-400a-b42f-0c41d0c88d2a/Openslogo1.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Critical Spirituality Series - Ecstatic Initiations: Sound Through Shamanism</image:title>
      <image:caption>Opens is a para-academic forum based in Singapore. Against the authoritarian-technocapitalist enclosure of the physical and discursive spaces of our island-city-state, they experiment with modes of discourse-making, space-making, and conceptual research &amp; development intended to catalyse speculative incursions into other possible futures. Opens consists of an informal network of co-conspirators. The administrative and organising labour is currently performed by founding co-organisers Helios Singh Bajwa and Arunditha Emmanuel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/a-world-of-lines-wsrcy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708434731533-1RDPJNBWFD81ASPA6BM6/Headshot+-+An+Ding.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer - An Ding</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708434765424-VVXBZ8JMO13EA1OVIREM/Headshot+-+Meli.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer - Meli Chan Lee</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708434775738-58V89QGQKI3S8XP0NDIP/Headshot+-+Parashar.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer - Parashar Kulkarni</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708434806543-NJ5REAMF4UQKHI00NOZ1/Headshot+-+Jireh.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer - Jireh Koh</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708434648181-KE1WV91DM4XPA92DJ9WB/Headshot+-+Arunditha.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer - Arunditha Emmanuel</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1708434826350-3M0LH1Z6DTZYLSSIXDAS/Headshot+-+Joshua.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer - Joshua Comaroff</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/f48bd664-e49e-400a-b42f-0c41d0c88d2a/Openslogo1.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Postcritical Spirituality: Pecha Kucha + Community Mixer</image:title>
      <image:caption>Opens is a para-academic forum based in Singapore. Against the authoritarian-technocapitalist enclosure of the physical and discursive spaces of our island-city-state, they experiment with modes of discourse-making, space-making, and conceptual research &amp; development intended to catalyse speculative incursions into other possible futures. Opens consists of an informal network of co-conspirators. The administrative and organising labour is currently performed by founding co-organisers Helios Singh Bajwa and Arunditha Emmanuel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/lethal-fantasies-chrysalis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/9bfa161b-a8cc-40e1-885d-430a6d5964d8/Bussy+Temple+Blue+uncropped.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Lethal Fantasies: Chrysalis</image:title>
      <image:caption>A collective of creatives organising raves centred around queer, trans, nonbinary and femme individuals, Bussy Temple organically formed through the shared frustration over the lack of non-cis-men queer spaces in Singapore. Their parties serve as a social and political tool to activate the queer imagination and transformative potentials of gender and identity, as well as create safe spaces for the queer community to let go, glitch, and expand our ways of being. From left to right, top to bottom: Nydia Shiang, Zenon, Minsoo Bae, Bruce Lim, Aki Hassan, Jo Ho</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/fathers-womb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/9bfa161b-a8cc-40e1-885d-430a6d5964d8/Bussy+Temple+Blue+uncropped.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Father’s Womb</image:title>
      <image:caption>A collective of creatives organising raves centred around queer, trans, nonbinary and femme individuals, Bussy Temple organically formed through the shared frustration over the lack of non-cis-men queer spaces in Singapore. Their parties serve as a social and political tool to activate the queer imagination and transformative potentials of gender and identity, as well as create safe spaces for the queer community to let go, glitch, and expand our ways of being. From left to right, top to bottom: Nydia Shiang, Zenon, Minsoo Bae, Bruce Lim, Aki Hassan, Jo Ho</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/a-world-of-lines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/4b494e8a-2066-4273-a011-22507a6f4770/3W2A3275-1024x683.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Installation view of “The Economy Enters the People” (2021–22), Ho Rui An, Lecture and video installation with digital prints on paper, conference table, office chairs, desk, stool, book trolley, books, thermos flasks, cups, saucers and acrylic name plate holders. Photo: Ketsiree Wongwan. Courtesy of Bangkok CityCity Gallery.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303433097-UHJN2BBBH0I9QDH5LHEH/Ho+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Ho Rui An</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303486820-TC8FNARCRDQT9HYPZDAI/PerForm-2022-Artist-Profiles-1-1024x1024.png</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Zian Chen</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303663243-U06QUBFSVSHR2CI8YUVT/PerForm-2022-Artist-Profiles-3-1024x1024.png</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Kathleen Ditzig</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303717127-4UI6AQILJ4QEJUFX2P1N/CarlosQuijonJr.jpeg</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Carlos Quijon, Jr.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303740731-3B974QCIMZZU5Q8OYLYL/PerForm-2022-Artist-Profiles-4-1024x1024.png</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Sooyoung Leam</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303779699-0JCJL8VJC28JB4MDFXHW/PerForm-2022-Artist-Profiles-2-1024x1024.png</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism - Taomo Zhou</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303433097-UHJN2BBBH0I9QDH5LHEH/Ho+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - A World of Lines: From Third World Solidarities to Postsocialist Globalism</image:title>
      <image:caption>Artist and writer, Rui An, works in the intersections of contemporary art, cinema, performance, and theory. Working primarily across the mediums of lecture, essay and film, he probes the ways images are produced, circulate, and disappear within contexts of globalism and governance. He has presented projects at the Bangkok Art Biennale; Asian Art Biennale Bangladesh; Gwangju Biennale; Jakarta Biennale; Sharjah Biennale; Kochi Muziris Biennale; Kunsthalle Wien; Haus der Kulturen der Welt, Berlin; Van Abbemuseum, Eindhiven; NTU Centre for Contemporary Art Singapore; and Para Site, Hong Kong. In 2019, he was awarded the International Film Critics’ (FIPRESCI) Prize at the International Short Film Festival Oberhausen, Germany. In 2018, he was a fellow of the DAAD Artists in Berlin Program.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/event-one-xggsy-prksz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676296669855-7ATOL6R2YGPWA27Z0D42/Ho+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - From Crisis to Value*</image:title>
      <image:caption>Ho Rui An is an artist and writer working in the intersections of contemporary art, cinema, performance and theory. Working primarily across the mediums of lecture, essay and film, he probes into the ways by which images are produced, circulate and disappear within contexts of globalism and governance. He has presented projects at the Bangkok Art Biennale; Asian Art Biennial; Gwangju Biennale; Jakarta Biennale; Sharjah Biennial; Kochi-Muziris Biennale; Kunsthalle Wien; Haus der Kulturen der Welt, Berlin; Van Abbemuseum, Eindhoven; NTU Centre for Contemporary Art Singapore; and Para Site, Hong Kong. In 2019, he was awarded the International Film Critics’ (FIPRESCI) Prize at the International Short Film Festival Oberhausen, Germany. In 2018, he was a fellow of the DAAD Artists-in-Berlin Program.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/event-one-xggsy-xj8xz-ynmy6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1676303433097-UHJN2BBBH0I9QDH5LHEH/Ho+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Exhibition: Ho Rui An &amp;amp; Shubigi Rao</image:title>
      <image:caption>Artist and writer, Rui An, works in the intersections of contemporary art, cinema, performance, and theory. Working primarily across the mediums of lecture, essay and film, he probes the ways images are produced, circulate, and disappear within contexts of globalism and governance. He has presented projects at the Bangkok Art Biennale; Asian Art Biennale Bangladesh; Gwangju Biennale; Jakarta Biennale; Sharjah Biennale; Kochi Muziris Biennale; Kunsthalle Wien; Haus der Kulturen der Welt, Berlin; Van Abbemuseum, Eindhiven; NTU Centre for Contemporary Art Singapore; and Para Site, Hong Kong. In 2019, he was awarded the International Film Critics’ (FIPRESCI) Prize at the International Short Film Festival Oberhausen, Germany. In 2018, he was a fellow of the DAAD Artists in Berlin Program.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/49f16748-0f0a-4555-a0f1-ef5b62b0a2ba/Shubigi+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Exhibition: Ho Rui An &amp;amp; Shubigi Rao</image:title>
      <image:caption>Artist and writer Shubigi’s interests include archival systems, histories, lies and ecologies. Her works examine displacement of people, cultures, or knowledge bodies. Her current project on book destruction and knowledge, “Pulp: A Short Biography of the Banished Book” has garnered numerous awards from AIGA, APB Foundation, D&amp;AD, and the Singapore Literature Prize. She has also been featured in various international exhibitions and is currently the Curator for the Kochi-Muziris Biennale 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/event-one-xggsy-xj8xz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/49f16748-0f0a-4555-a0f1-ef5b62b0a2ba/Shubigi+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Per°Form Inaugural Digital Lecture by Shubigi Rao</image:title>
      <image:caption>Artist and writer Shubigi’s interests include archival systems, histories, lies and ecologies. Her works examine displacement of people, cultures, or knowledge bodies. Her current project on book destruction and knowledge, “Pulp: A Short Biography of the Banished Book” has garnered numerous awards from AIGA, APB Foundation, D&amp;AD, and the Singapore Literature Prize. Shubigi has also been featured in various international exhibitions and is currently the Curator for the Kochi-Muziris Biennale 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/event-one-xggsy-xj8xz-z3emt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/61d5e370-65de-45ed-b6b1-a773caedc42c/Nurul+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - Image, Data, Actor: Unpacking Images of Muslim Women</image:title>
      <image:caption>Nurul (she/her) is a researcher-writer currently pursuing her PhD in Cultural Studies. Her research focuses on images and narratives, visual and sentient bodies, feminisms, and the intersections between them. These have been articulated through projects such as Women in War (2016-ongoing), unknown woman/wanita kami (2021), Hijab/Her (2012-2014), and through collaborations such as Pulau Something (2021) and New Curriculum for Old Questions (2019). Nurul loves smelling old books, looking after plant babies, and hopes to adopt a cat someday.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/collection/jerrinetan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1aff2b07-60b8-48f7-bfe5-a190407523d5/Nurul+Dr+Blue.jpg</image:loc>
      <image:title>CoThinkLab - Collections - A Land Imagined: A Transnational Framework on Land Reclamation and Labour</image:title>
      <image:caption>Jerrine (she/her) is an Assistant Professor of English and currently teaches in Hong Kong. She received her PhD from Brown University and was previously a Visiting Lecturer in Global Anglophone Literature at Mount Holyoke College. Her research interests include World Literature, Transnational Literature, Critical Race Studies, Gender and Sexuality Studies, and Film. Her scholarly and public writing have been published or are forthcoming in Modern Fiction Studies, Cambridge Companion to Kazuo Ishiguro, Lit Hub, WIRED, Los Angeles Review of Books, Asian American Writers’ Workshop, The Brooklyn Rail, and Post45.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-01</lastmod>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/commune</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1694943967414-LAQC4D8DWJ3TL443QNTD/2C8A2163.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - COMMUNE BANQUET + Q &amp;amp; A - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn-gasmm-3zwxp-46hpb-lfd8n-9f92w-3hzyp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/43554883-92b1-4d4d-b351-ad9b617a329f/14+Nirlyn+3+2C8A3474.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Nirlyn Seijas - Collective Dancing to Stay Alive - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn-gasmm-3zwxp-46hpb-lfd8n-9f92w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/4b6a9909-7844-4f6f-845b-2929249eaec4/13+Tara+2+2C8A3402.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Tara Fatehi - What to do with this politicised body? And with all these bodies on the street?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn-gasmm-3zwxp-46hpb-lfd8n</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/6d498dda-00e0-4794-b187-3c584b1dce8d/12+Giuliana+1+2C5A2889.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Giuliana Kiersz - Your language is lying to you,&amp;nbsp;poetry as a territory for action - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn-gasmm-3zwxp-46hpb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/e4b1a6e2-ca3a-46d3-a82c-d8fc1e146426/11+Martha+2+2C8A3337.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Martha Luisa Hernández Cadenas | Martica Minipunto - NO SOY UNICORNIO (I’m not a unicorn)&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn-gasmm-3zwxp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/0c192a0b-f34d-40b2-9027-6e77e7908f2d/10+Rah+2+2C8A3270.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Rah Naqvi&amp;nbsp;- how many songs from a single note - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn-gasmm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/59d5efaf-bf9c-4b94-b850-21a6fc00a545/9+Ladji+1+2C5A2692.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Ladji Kone - Going green upside down (Allant vert a l´envers) - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw-8awhn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1212c114-7aa3-4f1b-a966-fc8c21cd8ef1/8+Mona+2+2C8A3069.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Mona Benyamin - The sea’s wound cannot wither - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7-exrtw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/ffc1aaf7-8982-4bfb-b7ec-3466162da845/7+Uzoma+2+2C5A2593.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Chidumaga Uzoma Orji - Intentional dreaming: a strategy for worldmaking&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx-7kcn7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/2bd74233-c2be-4586-8bcc-9429bd149554/6+Keren+1+2C5A2548.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Keren Lasme - Saving the Life That is Your Own - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf-bdydx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/6dee5495-9e83-45d5-a003-9d4ac2251ba8/HeliaPF.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Helia Hamedani - Performing freedom: when WOMEN’S attitudes become form - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola-exfgf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/7ea0d2b0-f5e8-4e8a-b8d3-f4efe0b158a7/4+Soukaina+2+2C8A2877.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Soukaina Aboulaoula - The Black Sun of Renewal - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/rola</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/2844dfd1-ae1d-4e69-92c1-eec9d6e59b04/3+Rola+2+2C8A2809.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Rola Khayyat - Noise of Time - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/aouefa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/5419e809-4c91-460c-960d-24b9fb22cbbf/2+Aouefa+1+2C5A2251.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Aouefa Amoussouvi - “207 Years Ago I Would Have Been Standing In The Amphitheater” And Other Attempts To Decolonize “Digital” Technologies - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/marathon/event-one-e8mjs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/615f08ea-3ba4-4386-abc8-f0319e83fa12/1+Renan+1+2C5A2176.jpg</image:loc>
      <image:title>Open Academy 2023 Marathon - Renan Laru-an - The First Exhibitions - Make it stand out</image:title>
      <image:caption>Image by Don Wong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-25</lastmod>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1/blog-post-title-three-d9dsw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-12</lastmod>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1/what-is-in-a-name</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/034bf9c4-a63a-47c2-9006-206c5bdf2369/Sp+1+slides+Fellows+names.png</image:loc>
      <image:title>Essays - “What’s in a name?”: A Symbolic Reading - Figure 1</image:title>
      <image:caption>As illustrated in the image (Figure 1), the presence of the Fellows highlights yet transcends geographies, cultures, and identities. The circular bridge between the past and present as a vehicle for the future was a common motif across all three days of the event; this was particularly evident in Keren Lasme’s and Aouefa Amoussouvi’s presentations about the importance of decolonizing literature and scientiﬁc study with reference to self-determination and growth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1/investigating-translocal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-12</lastmod>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1/factories-tables-revolution-economy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/b5c25869-7b7d-47cb-88f2-326a051b2d1d/exhibitionhalls.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy - Make it stand out</image:title>
      <image:caption>Between 1954 and 1956, four exhibition halls with Stalinist architectural features were built in Beijing, Shanghai, Wuhan and Guangzhou. The images show all four venues hosting the exhibition “The Soviet Economic and Cultural Achievements” during those years. Source: Beijing: Chaohua Fine Arts Publishing, 1955; Shanghai: People’s Fine Arts Publishing, 1955; Wuhan: Hubei People’s Publishing, 1956; Guangzhou: South China People’s Publishing, 1955.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/7197b640-61d0-4a6f-9257-4ec15d4ac82e/Revolution.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy - Make it stand out</image:title>
      <image:caption>Stills from Huang Baomei (1958), directed by Xie Jin. Source: Shanghai Tianma Film Studio. In 1958, fears that the ongoing de-Stalinisation campaign in the Soviet Union would threaten Mao’s legitimacy within China prompted the launch of the Great Leap Forward, a far-reaching and ultimately devastating experiment that sought to delink the country’s economy from the Soviet model. Anticipating the withdrawal of Soviet aid and technological transfers, the Party turned to mass mobilisation as a solution for spurring productivity and innovation within the mostly agrarian population. In particular, the self-organisation of workers was promoted as a method for meeting the increased production targets under austerity conditions. Within the film industry, such strategies resulted in many productions taking form as docudramas, the genre most favoured by premier Zhou Enlai for its faster turnover rates, lower budgets and collective scripting process.⁶ Among the docudramas produced during this period was Huang Baomei (1958), based on the story of its titular protagonist and real-life model worker. The climactic scene in the film shows enterprising female factory workers, all played by actual workers, furiously debating technicians and party cadres on the relationship between labour and technology. At the heart of the debate is the question: is it man who masters the machine or the machine that masters man? Such an extended sequence featuring workers engaging in ideological debate was a recurring motif in Chinese socialist cinema. In contrast to their counterparts in early Soviet cinema who were often depicted working frenetically at their machines in a fetishistic fusion of labour and technology, here the workers are more likely seen having meetings where they can never seem to stop talking about their machines. 1967–74</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/6cbd729f-d8de-485a-8086-30042290d285/zhouenlai.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy</image:title>
      <image:caption>Zhou Enlai meeting the Red Guards in Guangzhou, 1967. Source: United Daily News Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/9693db63-c0c2-4ca5-9a59-ea01add2ae5f/lining.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy - Make it stand out</image:title>
      <image:caption>Still from Lining (2021), directed by Ho Rui An. Source: the author. Following Richard Nixon’s 1972 visit to China, American businessmen were invited to the Canton Fair for the first time. That year, Zhou Enlai was likely influenced by the American presence at the fair when he complained that the quality of the Chinese textile goods being sold was so poor that they presented a very bad image of the country. ⁹ So, when a proposal came from the Ministry of Light Industries in the same year to import technology to produce synthetic fibres, the idea easily won the approval of the premier, allowing the first imports to arrive from France and Japan soon after. ¹⁰ In the following year, this initial push for imports accelerated into a “great leap forward” into capitalist markets with the approval of the “Four-Three” programme, which took its name from the colossal US$4.3 billion worth of technology and equipment that would be bought from the capitalist world within the next three to five years. In its rationalisation of this ambitious plan, the leadership cited the growing economic malaise within developed capitalist nations that compelled firms to seek new investments abroad.¹¹ It was also not lost upon them that, within the region, economies such as Japan, South Korea, Taiwan, Hong Kong and Singapore—the so-called Asian dragons or tigers—have long already been reaping the benefits of global economic integration.¹² In fact, these “change of winds” that would soon arrive in China were already being observed by the foreign minister of Singapore, S. Rajaratnam, at the summit of the Non-Aligned Movement that year when he called for non-aligned countries to disentangle themselves from ideological struggles and focus instead on technological autonomy and economic cooperation.¹³ He also believed that the best way to do so was by embracing the global market, as demonstrated by Singapore’s own economic successes. This was coming just one year after the emissary of the former British colony had proclaimed the city-state to be a “global city” in a now-historic address that vividly describes a global “chain of cities” connected “through the tentacles of technology”.¹⁴ It was therefore appropriate that Rajaratnam would in 1975 become one of the first diplomats from the capitalist world to visit China after Nixon. The moment anticipated later high-profile exchanges between the leaders of the two countries that culminated in senior vice-premier Deng Xiaoping’s first and only state visit to Singapore in November 1978, one month before the reform and opening up agenda was announced in China. 1979-80</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/b9ec764b-9e15-49e3-953e-69d3f3ef90f2/secondline.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy - Make it stand out</image:title>
      <image:caption>Soldiers from the border defence force laying cables along the Second Line in Shenzhen, 1984. Source: Zhong Guohua. In January 1979, China Merchants Group was given approval by the State Council to assume full control over the development of the 2.14-kilometre-square Shekou Industrial Zone located within the Shenzhen Special Economic Zone (SEZ). There was perhaps no other entity more equipped to spearhead the experimentation that was to take place within this zone within a zone. As a Hong Kong-based “overseas” company under the auspices of the Ministry of Transportation in Beijing, China Merchants had the experience of operating along the southern frontier where Chinese socialism had long interfaced with global capitalist markets. But China Merchants was far from the only “red line” institution operating in the British colony during the Maoist era. For one, the organisation of each edition of the Canton Fair would not have been possible without China Resources, another Communist-run company, which facilitated logistical operations and provided access to foreign markets through its base in Hong Kong. Established in 1938 by the Red Army as a military trading outpost, the enterprise had been administered by the Ministry of Foreign Trade from Beijing ever since the founding of Communist China.¹⁵ The crackdown of the 1967 leftist riots in Hong Kong led to the suspension of most “red” activities in the colony but did not entirely dismantle the institutions that allowed the Communist Party to have a foothold in the territory.¹⁶ Following the launch of the economic reforms, many of these institutions were rejuvenated as investment vehicles for bringing in capital and technology through Hong Kong into the Shenzhen SEZ. It bears mention that the establishment of the SEZ itself as a physically demarcated zone was accomplished by the “reddest” of all institutions. Following the administrative designation of the zone in 1980, an 84.6-kilometre barbed wire fence was erected by soldiers from the People’s Liberation Army to segregate the Shenzhen SEZ from the rest of China. Commonly known as the “Second Line”, the fence was distinguished from the “First Line” between Shenzhen and Hong Kong in that it served not to prohibit movement but to regulate it through the seven checkpoints that allowed only people and goods with permits to move between the zone and the rest of the country where reforms were unravelling at a different pace. One might call this model of “controlled experimentation” the epitome of redness in the Reform era.¹⁷ 1983</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/6fcbfa17-6b30-407d-a07a-e10d5c0157ca/reform.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy - Make it stand out</image:title>
      <image:caption>Stills from Blood is Always Hot (1983), directed by Wen Yan. Source: Beijing Film Studio. Even with the Revolution’s untimely end, former revolutionaries-turned-reformers would continue to mobilise every manner of revolutionary tropes well into the Reform era. This is best observed in a recurring cinematic motif during the first two decades of the economic reforms: the public speech of the determined reformer rallying the support of workers disillusioned by the reform process. In Blood is Always Hot (1983), which notably opens with a scene set at the Canton Fair, we see the tragic downfall of a state-owned textile mill whose leaders are shown to be incapable of reading and responding to market signals. Despite one eager manager’s intrepid efforts at refitting their printers to produce a more fashionable style, the party secretary in charge of the mill insists upon adhering to old ideological lines. After facing numerous setbacks, the exasperated manager can only appeal to the workers themselves through a public address in a dramatic final scene where the latter are portrayed as passive listeners, as if they had lost the capacity for speech that had earlier enabled their revolutionary function. Comparing China’s economic system to “a vast machine with rusty gears that can no longer turn”, the manager exhorted the workers to use their “blood as lubricants”, for their blood, he adds, “is always hot”. With that final proclamation, the spectre of mass mobilisation once again rears its head. The challenge, as always, to use the words of Elizabeth J. Perry, is “how to put the genie of mass protest back into the bottle of state socialism”.¹⁸ 1992</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/afed8940-8c2f-4a3a-b2e1-c72f0b275e80/tables.jpg</image:loc>
      <image:title>Essays - Factories Tables Revolution Economy - Make it stand out</image:title>
      <image:caption>Meetings between Chinese and Singaporean officials during a study mission to Singapore in 1995. Source: National Archives of Singapore. In 1992, three years after the traumatic events of Tiananmen Square, Deng Xiaoping sought to put the reform agenda back on track by going on a tour of the southern provinces where the SEZs are concentrated. The ageing stateman had realised by then that one could not simply opened up the market without accounting for its social consequences. With the resumption of the reforms, society had to be disciplined. This was made clear during a speech where he instructed officials to learn from Singapore with respect to how they managed society. ¹⁹ A few months later, Xu Weicheng, the deputy head of the propaganda department, led a delegation of Chinese officials on a twelve-day study mission to the city-state, the first of many such missions to come. In the same year, Deng’s successor Jiang Zemin devised the term “socialist market economy” to describe the new direction of the reforms. For the first time in its history, the Communist Party was speaking of the country’s economy not as the revolution’s material base, but as “the economy”. For the first time, the economic struggle was disarticulated from class struggle. However, this did not, at least by the leadership’s own reckoning, mark a shift towards capitalism, for markets, they insisted, are not exclusive to capitalism, as proven by the existence of the Canton Fair. Rather, what changed with the socialist market economy is that now the market would make visible for the socialist party-state what it was previously unable to see: the economy.²⁰ Exactly how the market enables the party-state to better see the economy is revealed by the photographs of the numerous study missions undertaken by Chinese officials to Singapore since 1992. As seen in the images of the many meetings held between officials from both countries, it was only by first sitting at large tables in rooms from which the masses had been entirely evacuated that these former revolutionaries were able to free themselves from the ideology in their minds and look objectively at the information presented before them. Through studying the information provided by the market, they would reinvent themselves as technocrats capable of “seeking truth from facts”, as opposed to being swayed by the fervour of the masses.²¹ Yet, these officials who had been through the throes of the Revolution also knew all too well that the masses had not disappeared, merely retreated. Indeed, the very emptiness of the table in these photographs suggest that a space has been cleared for their return.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1/afro-southeastasia-discontent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695038439256-LVKPRL8C1M7G8E3WJZ3A/850_9003%283%29.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695038440388-C2AN3KIBFF50GNCQBBN9/850_9038.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695038441525-4JEF5TIVB3R32JNNR4J3/850_9071.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695038443784-JPTRPJX932K783IEHRZ5/850_9137%281%29.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695038438548-75DJANCQRK2M07INLV01/850_8988%281%29.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
      <image:caption>Installation view of In Our Best Interests: Afro-Southeast Asian Affinities During A Cold War showing the artworks of Fyerool Darma and Yee I-Lann alongside an archive of material related to Southeast Asian diplomats traveling to Africa to solicit support for their imagination of Southeast Asia as region. Image courtesy of ADM Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695040530013-QBCIMJFK0FLOAFSFDZ9T/Cast+But+One+Shadow+1.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695040438460-AAQI0DR74FZ631ZDAN67/Cast+but+One+Shadow+2.JPG</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695040557923-W7GFB1QO7954TSLGAWBH/Cast+but+One+Shadow+3.JPG</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695040596294-OOOHX4S469G1GG95KMKF/Cast+but+One+Shadow+4.JPG</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
      <image:caption>Installation views of Cast But One Shadow: Afro-Southeast Asian Affinities. Images courtesy of Vargas Museum.</image:caption>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
      <image:caption>Foreground: Untitled and undated painting signed by R .D. Saleh from the Diosdado and Evangelina Macapagal Family Collection. Background: Materials from the Jorge B. Vargas Permanent Collection and Library. Image courtesy of Vargas Museum.</image:caption>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
      <image:caption>Untitled and undated Balinese painting from the Diosdado and Evangelina Macapagal Family Collection. Image courtesy of the Vargas Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695041307547-405XJPQKDQUNTBGYKNLJ/15.+Rimbawan.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695041303767-5VN0KCVMW5NZYVR04714/Afro-SEA+-+To+A+Faraway+Friend1.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695041312091-2JT2FG49M4MHJO04R0IC/Afro-SEA+-+To+A+Faraway+Friend2.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1695041320729-R0BOF9SODC7BKJUWN892/Afro-SEA+-+To+A+Faraway+Friend3.jpg</image:loc>
      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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    <image:image>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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    <image:image>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents</image:title>
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    <image:image>
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      <image:title>Essays - Afro-Southeast Asia and Its Discontents - Make it stand out</image:title>
      <image:caption>Still from Sunu Jappo/ 手拉手/ Hand in Hand (2019). Image courtesy of the artist. In the video, the artist Ming Wong visits the sites of Sino-Senegalese “friendship” in the guise of a “cultural ambassador”. Sunu Jappo/ 手拉手/ Hand in Hand was one of a few works that traveled through the region as part of Afro-Southeast Asian Affinities.</image:caption>
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      <image:title>Essays - Memories, Migration and Modernities: China’s Reform as World History</image:title>
      <image:caption>Milk production on the Guangming Farm in the 1990s. Source: Public Cultural Development Center, Guangming District, Shenzhen City, In Search of Memories of Guangming: The Past Events on the Farm (xunzhao Guangming jiyi: nongchang wangshi) (Shenzhen: Shenzhen News Group Publishing, 2019), 204.</image:caption>
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    <image:image>
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      <image:title>Essays - Memories, Migration and Modernities: China’s Reform as World History</image:title>
      <image:caption>PLA Engineering Corps arriving in Shenzhen. Source: Zhou Shunbin.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/0324c11f-63f4-4e23-90cc-395b4e47d4bf/Taomo+and+parents+at+McDonalds+%281%29.jpeg</image:loc>
      <image:title>Essays - Memories, Migration and Modernities: China’s Reform as World History</image:title>
      <image:caption>Taomo and parents at the Sea World McDonalds, Shekou, 1994. Source: the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/3c23719b-33ed-4e35-bb81-04c7db55b027/bigimg4-75.jpeg</image:loc>
      <image:title>Essays - Memories, Migration and Modernities: China’s Reform as World History - Make it stand out</image:title>
      <image:caption>Yuan Geng giving a lecture at the Chinese University of Hong Kong, 1986. Source: Shekou China Merchants Group Historical Museum.</image:caption>
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  <url>
    <loc>https://www.performfellowship.org/essays-1/category/Open+Academy</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.performfellowship.org/essays-1/category/CoThink+Lab</loc>
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  <url>
    <loc>https://www.performfellowship.org/essays-1/tag/Ho+Rui+An</loc>
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    <loc>https://www.performfellowship.org/essays-1/tag/Taomo+Zhou</loc>
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    <loc>https://www.performfellowship.org/essays-1/tag/Carlos+Quijon+Jr</loc>
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  <url>
    <loc>https://www.performfellowship.org/essays-1/tag/Zian+Chen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.performfellowship.org/essays-1/tag/Rebecca+G</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.performfellowship.org/essays-1/tag/Kathleen+Ditzig</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.performfellowship.org/essays-1/tag/Sooyoung+Leam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.performfellowship.org/2024-programme</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-26</lastmod>
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    <loc>https://www.performfellowship.org/2024-programme/herrightandchillahona</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1714040613029-FEU44AYL0ZZJ7RZXBGEC/Screenshot+2024-04-04+170521.png</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1714040618373-5O1FMC19YE5YOPLV3ETU/Screenshot+2024-04-05+at+6.07.19+PM.png</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1714040620575-NW16A4JPCUZJ97WU388G/Screenshot+2024-04-05+at+6.09.24+PM.png</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712312082564-NPRKP8KNW0H50P6O3SVG/Chillahona+3.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712312081073-HNRGESP3ELRUONYYVKDI/Chillahona+2.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712312081712-MXPSGGMUMC2EMSY47KAJ/Chillahona+1.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712312084173-Z1UAZUYXFCA0BGCLDV7Z/Chillahona+4.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712312084807-N1I0X4F8WOOBAOT1TMOA/Chillahona+5.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712312085802-4UG60KO7EW59XWK4FWVF/Chillahona+6.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Her Right (2020) &amp;amp; Chillahona (2022)</image:title>
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    <loc>https://www.performfellowship.org/2024-programme/thehaunted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
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      <image:title>2024 Open Academy Programme - The Haunted (2017)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712310776317-P7S6CES4T5LVX77YLBXF/The+Haunted+1.png</image:loc>
      <image:title>2024 Open Academy Programme - The Haunted (2017)</image:title>
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    <image:image>
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      <image:title>2024 Open Academy Programme - The Haunted (2017)</image:title>
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    <loc>https://www.performfellowship.org/2024-programme/stainsofoxus</loc>
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    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712309063370-WK0UCJBALE3ZBV5AZ6EO/Stains+of+Oxus+1.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Stains of Oxus (2016)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712309075661-D6UQJOOZZPHD3F7L2XA8/Stains+of+Oxus+2.png</image:loc>
      <image:title>2024 Open Academy Programme - Stains of Oxus (2016)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712309072902-6UZ8BVIH5DUMN3RT6ALB/Stains+of+Oxus+3.png</image:loc>
      <image:title>2024 Open Academy Programme - Stains of Oxus (2016)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712309075164-43YCGK2OYGG5AEDTPX20/Stains+of+Oxus+4.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Stains of Oxus (2016)</image:title>
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    <loc>https://www.performfellowship.org/2024-programme/aralfishing</loc>
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    <lastmod>2025-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712308611649-ZJS621115NV2WV207CSV/Saodat+Aral+3.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Aral. Fishing in an Invisible Sea (2004)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712308605318-5JH2HM293SOQG8M9QY0X/Saodat+Aral+1.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Aral. Fishing in an Invisible Sea (2004)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1712308611320-QVUTLAECOQ94B2IVQCJV/Saodat+Aral+4.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Aral. Fishing in an Invisible Sea (2004)</image:title>
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    <image:image>
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      <image:title>2024 Open Academy Programme - Aral. Fishing in an Invisible Sea (2004)</image:title>
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    <loc>https://www.performfellowship.org/2024-programme/event-two-nrk5t-97dmh-6zmke-m84ns</loc>
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      <image:title>2024 Open Academy Programme - Aziz Sohail - Queer South Asian Dreaming and Kin-Making Through the Curatorial</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1727346983317-LU1DG0ZY3T0I3M3TD2PN/Aziz2.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Aziz Sohail - Queer South Asian Dreaming and Kin-Making Through the Curatorial</image:title>
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    <loc>https://www.performfellowship.org/2024-programme/event-two-nrk5t-97dmh-6zmke-m84ns-mt9sg-zgrwc-ahjhc-t7jgz-mme9j-ajdhg-el62z-6ds6n</loc>
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      <image:title>2024 Open Academy Programme - YoNoFui - A Performative Plea</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1727346828942-5DTQH23BKLI0JGIX6CFW/YNF2.jpg</image:loc>
      <image:title>2024 Open Academy Programme - YoNoFui - A Performative Plea</image:title>
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      <image:title>2024 Open Academy Programme - Hira Nabi - All That Perishes at the Edge of Land (2019)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1727346323614-HNJPLMI357QVW1YKWOPP/Hira2.jpg</image:loc>
      <image:title>2024 Open Academy Programme - Hira Nabi - All That Perishes at the Edge of Land (2019)</image:title>
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      <image:title>2024 Open Academy Programme - Selma &amp;amp; Sofiane Ouissi - The Body and Resistance</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1727346088471-VG844XA7D13UTL1G37LU/Ouissi2.jpg</image:loc>
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    <loc>https://www.performfellowship.org/2024-programme/event-three-tfd2s</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1738815532467-E64LRCUE1BC9JT2KW5CU/Sheelasha+2.jpg</image:loc>
      <image:title>Programme 2025 - POA Opening Studio: Contemporary Indigeneity (Sheelasha Rajbhandari)</image:title>
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      <image:title>Programme 2025 - POA Opening Studio: Contemporary Indigeneity (Sheelasha Rajbhandari)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1738815575416-V8FIGDA9E4M99Y0X5J75/Sheelasha+4.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1738816577981-Y9O9MZP9EC33ABW8QZO6/2051_muktik_dagar.jpg</image:loc>
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      <image:title>Programme 2025 - POA Opening Studio: Contemporary Indigeneity (Subas Tamang and Mekh Limbu)</image:title>
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      <image:title>Programme 2025 - POA Opening Studio: Contemporary Indigeneity (Subas Tamang and Mekh Limbu)</image:title>
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      <image:title>Programme 2025 - POA Opening Studio: Contemporary Indigeneity (Subas Tamang and Mekh Limbu)</image:title>
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      <image:title>Programme 2025 - POA 2025 Opening: Mapping Faded Dreams — Keynote by Hit Man Gurung</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1738814086224-8UXBKM3QIPUA2G1U0PZI/Hit+Man+Opening+1.png</image:loc>
      <image:title>Programme 2025 - POA 2025 Opening: Mapping Faded Dreams — Keynote by Hit Man Gurung</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1738814107820-3RQ1J04B1R3GY5K7DT3L/Hit+Man+Opening+3.png</image:loc>
      <image:title>Programme 2025 - POA 2025 Opening: Mapping Faded Dreams — Keynote by Hit Man Gurung</image:title>
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      <image:title>Programme 2025 - POA Closing Studio: Embodiments and Exhibitions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1737879864082-BB1HFBFMAYL8IM5OPG9R/Xavier+Closing+1.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1737879850513-E600KYLCKM3NUA5Z5SON/Xavier+Closing+4.png</image:loc>
      <image:title>Programme 2025 - POA Closing Studio: Embodiments and Exhibitions</image:title>
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    <loc>https://www.performfellowship.org/programme-2025/workshopwithmarcbrew</loc>
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    <lastmod>2025-02-22</lastmod>
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      <image:caption>Photo by Filip Van Roe.</image:caption>
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      <image:title>Programme 2025 - Monsters of Circumstances — Keynote by Xavier Le Roy</image:title>
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      <image:title>Programme 2025 - Monsters of Circumstances — Keynote by Xavier Le Roy</image:title>
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      <image:title>Programme 2025 - Monsters of Circumstances — Keynote by Xavier Le Roy</image:title>
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      <image:caption>Courtesy of Pooja Sood.</image:caption>
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    <loc>https://www.performfellowship.org/programme-2025/labaythementorseries</loc>
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      <image:caption>Courtesy of 裹山 Dungku Asang.</image:caption>
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    <loc>https://www.performfellowship.org/programme-2025/vivianziherlthementorseries</loc>
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      <image:caption>Courtesy of Vivian Ziherl.</image:caption>
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    <loc>https://www.performfellowship.org/programme-2025/gridthiyagaweewongthementorseries</loc>
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      <image:caption>Courtesy of Kader Attia, Groundcontrol, and the Jim Thompson Art Center, photo by Thitaphat Chimprasert.</image:caption>
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    <loc>https://www.performfellowship.org/programme-2025/marcbrewthementorseries</loc>
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      <image:caption>Image by Susan Hay.</image:caption>
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  <url>
    <loc>https://www.performfellowship.org/programme-2025/annebogartthementorseries</loc>
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    <lastmod>2025-02-18</lastmod>
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      <image:caption>Courtesy of SITI Archive.</image:caption>
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  <url>
    <loc>https://www.performfellowship.org/programme-2025/anselmfrankethementorseries</loc>
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      <image:caption>Courtesy of Haus der Kulturen der Welt (HKW).</image:caption>
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    <loc>https://www.performfellowship.org/programme-2025/sherminlanghoffthementorseries</loc>
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    <lastmod>2025-02-18</lastmod>
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      <image:caption>Courtesy of Shermin Langhoff.</image:caption>
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    <loc>https://www.performfellowship.org/commissions-list</loc>
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    <loc>https://www.performfellowship.org/commissions-list/artlabor-cloudchamber</loc>
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      <image:title>Commissions List - Art Labor — Cloud Chamber: Central Highlands Journey</image:title>
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      <image:title>Commissions List - Art Labor — Cloud Chamber: Central Highlands Journey</image:title>
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      <image:title>Commissions List - Art Labor — Cloud Chamber: Central Highlands Journey</image:title>
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      <image:title>Commissions List - Art Labor — Cloud Chamber: Central Highlands Journey</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6343faaa3e812d389dba1eeb/1737715610678-NGALYYX0ZIQUBZIJK5DX/Art+Labor+Cloud+Chamber+5.JPG</image:loc>
      <image:title>Commissions List - Art Labor — Cloud Chamber: Central Highlands Journey</image:title>
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      <image:title>Commissions List - Art Labor — Cloud Chamber: Central Highlands Journey</image:title>
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      <image:title>Commissions List - Srijanalaya — Mural Art Residency: Learning from Khokana</image:title>
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